English 333: Studies in Fiction: The Social World of the Victorian Novel

 

Prof. Jay Dickson
Office hours: M 2:30-4 and W 10-11:30 and by appt. ETC 218
Class meeting time: T, Th 10:30-11:50 ETC 205

 

Course Description:

The Industrial Revolution, the entrenchment of the bourgeoisie, and the two Reform Bills made possible tremendous transformations in the social worlds of Victorian Great Britain. This course will examine how these changes were both documented and re-imagined in the novels of five seminal writers of the period: William Makepeace Thackeray, Elizabeth Gaskell, George Eliot, Charles Dickens, and Anthony Trollope. We pay particular attention to the ways these novelists figure communities around the factory, the home, the beau monde, the church, and the legal system. There will be substantial historical, critical, and theoretical readings in addition to the novels. Prerequisites: two English courses at the 200 level or the instructor’s permission. Conference.

Texts:

Charles Dickens, Bleak House (Oxford World’s Classics)

George Eliot, The Mill on the Floss (Oxford World’s Classics)

Elizabeth Gaskell, North and South (Oxford World’s Classics)

William Makepeace Thackeray, Vanity Fair (Norton Critical Edition)

Anthony Trollope, Barchester Towers (Penguin)

(recommended) Daniel Pool, What Charles Dickens Ate and Jane Austen Knew (Simon and Schuster)

(optional) Patrick Brantlinger and William Thesing, eds., A Companion to the Victorian Novel (Wiley-Blackwell)

***required and optional reserve readings in Hauser Library

Requirements:

You are expected to attend every class discussion on time, and to participate in a lively and informed manner. The only exceptions for missing class are illness or (in rare cases, negotiable only with me) personal emergency. In either case I must be notified via e-mail or at my office phone before the class meeting. More than one absence for illness requires a doctor's note. Any unexcused absence will affect your final grade for the course; after four unexcused absences you will not be allowed to pass the course.

There are two required papers for the course. I allow extensions for papers so long as you meet with me by the last class meeting before the paper is due to request your extension. You must have a set date for the extension to which I agree and you will not get another extension for that paper beyond it. Papers turned it late are marked down one-half grade per day; I will not accept late papers after a certain amount of time (and never after Dean's Date). I am the only person who can grant an extension for a paper. Papers must be turned in to me in hard copy format only to my faculty mailbox in Eliot; I do not accept papers via electronic submission.

Each student will be asked to circulate two discussion questions (each in thoughtful, developed paragraph form) based on the required reading for one class session via e-mail at 9PM the night before the class meets.

There is no exam for this course.

Schedule:

[n.b.—An asterisk— * —indicates optional reading.]

WEEK 1

Beginnings

T Sept.1: Introduction

  • William Makepeace Thackeray, Vanity Fair, "Before the Curtain" [handout]

Th Sept. 3

WEEK 2

The Beau Monde (I)

T Sept. 8

Th Sept. 11

  • William Makepeace Thackeray, Vanity Fair, through ch. XXII: “A Marriage and Part of a Honeymoon”

WEEK 3

The Factory

T Sept. 15

  • Elizabeth Gaskell, North and South, through vol. 1, ch. XX
  • William Makepeace Thackeray, Vanity Fair, through ch. XXV: “In Which All the Principal Personages Think Fit to Leave Brighton”
  • Friedrich Engels, “Results of Industrialisation,” in Elizabeth Gaskell, Mary Barton, ed. Thomas Recchio, pp. 411-5 [reserve]
  • *Asa Briggs, Victorian Cities, ch. 3: "Manchester, Symbol of a New Age," pp. 88-138 [reserve]

Th Sept. 17

WEEK 4

T Sept. 22

  • Elizabeth Gaskell, North and South, through vol. II, ch. XIX
  • William Makepeace Thackeray, Vanity Fair, through ch. XXXII: “In Which Jos Takes Flight, and the War Is Brought to a Close”
  • Deirdre David, ch. 6: “Empire, Race and the Victorian Novel,” in Brantlinger and Thesing, A Companion to the Victorian Novel , pp. 84-100

Th Sept. 24

WEEK 5

The Beau Monde(II)

T Sept. 29

  • William Makepeace Thackeray, Vanity Fair, through ch. L: “Contains a Vulgar Incident”
  • Karl Marx, “The Fetishism of Commodities and the Secret Thereof,” in The Marx-Engels Reader , 2nd Ed., ed Robert C. Tucker, pp. 319-29 [reserve]

Th Oct 1

  • William Makepeace Thackeray, Vanity Fair, through ch. LVI : “Georgy is Made a Gentleman”

WEEK 6

T Oct. 6

Th Oct. 8

WEEK 7

M Oct. 12

  • Paper #1 (5-7 pp.) due 5 p.m. my faculty mailbox in Eliot

The Family

T Oct. 13

Th Oct. 15

 

F A L L B R E A K

(keep in mind you have a considerable amount of reading due for the first class meeting after break!)

WEEK 8

T Oct.27

Th Oct. 29

  • George Eliot, The Mill on the Floss (all)
  • Harriet Martineau, "On the Advantages of Not Marrying" [handout]

WEEK 9

The Legal System (I)

T Nov. 3

  • Charles Dickens, Bleak House, through ch. 16: “Tom-all-alone’s”
  • Michel Foucault, The Foucault Reader, “The Body of the Condemned,” pp. 170-8, and “Panopticism,” pp. 206- 13[reserve]

Th Nov. 5

WEEK 10

The Church

T Nov. 10

Th Nov. 12

  • Anthony Trollope, Barchester Towers, through vol. II, ch. 8: “A Love Scene”
  • Charles Dickens, Bleak House, through ch. 25: “Mr Snagsby sees it all”

WEEK 11

T Nov. 17

Th Nov. 19

WEEK 12

The Legal System (II)

T Nov. 24

Th Nov. 26

Thanksgiving

WEEK 13

T Dec. 1

  • Charles Dickens, Bleak House, through ch. 59: “Esther’s Narrative”
  • Michel Foucault, The Foucault Reader, “Complete and Austere Institutions” and “Illegalities and Delinquencies,” pp. 214-33 [reserve]

Th Dec. 3

WEEK 14

T Dec. 8th

Mon Dec. 14th

  • Final paper (12-15 pp.) due 5 p.m. to my faculty mailbox in Eliot