Instructional Media Center
Director • Akira Kurosawa
From the Criterion website -
"The creator of such timeless masterpieces as Rashomon, Ikiru, Seven Samurai, Yojimbo, and High and Low, Akira Kurosawa is one of the most influential and beloved filmmakers who ever lived—and for many the greatest artist the medium has known. Now, on the occasion of the centenary of his birth, the Criterion Collection is proud to present this deluxe box set celebrating his astonishing career. Featuring twenty-five of the films he made over the course of his fifty years in movies—from samurai epics to postwar noirs to Shakespeare adaptations—AK 100 is the most complete set of his works ever released in this country, and includes four rare films that have never been available on DVD."
The boxed set can be found in the Instructional Media Center, L32, Lower level 1 of the Library. Call# PN1995.9.J36 K80.
Akira Kurosawa, 1943
Akira Kurosawa’s dazzling debut as a director is about the rivalry between judo and jujitsu, and it concerns the moral education and enlightenment of Sanshiro, played by Susumu Fujita.
Akira Kurosawa, 1944
Akira Kurosawa’s patriotic World War II morale booster focuses on a volunteer corps of women working at an optics factory to produce lenses for binoculars and targeting scopes, and was shot on location at the Nippon Kogaku factory in Hiratsuka.
Akira Kurosawa, 1945
This sequel to Akira Kurosawa’s first film, which Kurosawa was compelled to make under studio pressure, reunites most of the principal cast members from the original.
Akira Kurosawa, 1945
The story of Kurosawa’s The Men Who Tread on the Tiger’s Tail derives from Noh and Kabuki plays depicting a famous twelfth-century incident in which the lord Yoshitsune and a small group of samurai cross enemy territory disguised as monks and must persuade border guards to let them through.
Akira Kurosawa, 1946
In Akira Kurosawa’s first film after the end of World War II, future beloved Ozu regular Setsuko Hara gives an astonishing performance as Yukie, who transforms herself from genteel bourgeois daughter to independent social activist during a tumultuous decade in Japanese history.
Akira Kurosawa, 1947
This affectionate paean to young love is also a frank examination by Akira Kurosawa of the harsh realities of postwar Japan. During a Sunday trip into war-ravaged Tokyo, Yuzo and Masako look for work and lodging, as well as affordable entertainments to pass the time.
Akira Kurosawa, 1948
In this powerful early noir from the great Akira Kurosawa, Toshiro Mifune bursts onto the screen as a volatile, tubercular criminal who strikes up an unlikely relationship with Takashi Shimura’s jaded physician.
Akira Kurosawa, 1949
When a pickpocket steals a rookie detective’s gun on a hot, crowded bus, the cop goes undercover in a desperate attempt to right the wrong. Kurosawa’s thrilling noir probes the squalid world of postwar Japan and the nature of the criminal mind.
Akira Kurosawa, 1950
A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer is twisted by the tabloid press into a torrid affair. Ichiro files a lawsuit against the seedy gossip magazine, but his lawyer, Hiruta (Takashi Shimura), is playing both sides.
Akira Kurosawa, 1950
The murder of a man and the rape of his wife in a forest grove—seen from four different perspectives. Akira Kurosawa’s meditation on the nature of “truth” transformed narrative cinema as we know it.
Akira Kurosawa, 1951
The Idiot, an adaptation of Fyodor Dostoyevsky’s masterpiece about a wayward, pure soul’s reintegration into society—updated by Kurosawa to capture Japan’s postwar aimlessness—was a victim of studio interference and public indifference. Today, this “folly” looks ever more fascinating.
Akira Kurosawa, 1952
An aging bureaucrat with stomach cancer decides to strip the veneer off his existence and find meaning in his final days. Considered by some to be Akira Kurosawa’s greatest achievement, Ikiru offers a multifaceted look at a life through a prism of perspectives.
Akira Kurosawa, 1954
In Akira Kurosawa’s Seven Samurai (Shichinin no samurai), sixteenth-century villagers hire the eponymous warriors to protect them from invading bandits. This gripping three-hour ride is one of the most beloved movie epics of all time.
Akira Kurosawa, 1955
I Live in Fear presents Toshiro Mifune as an elderly, stubborn businessman so fearful of a nuclear attack that he resolves to move his reluctant family to South America. Kurosawa depicts a society emerging from the shadows but still terrorized by memories of the past and anxieties for the future.
Akira Kurosawa, 1957
Akira Kurosawa’s Throne of Blood reimagines Macbeth in feudal Japan. Starring Kurosawa’s longtime collaborator Toshiro Mifune and the legendary Isuzu Yamada as his ruthless wife, the film tells of a valiant warrior’s savage rise to power and his ignominious fall.
Akira Kurosawa, 1957
Working with his most celebrated actor, Toshiro Mifune, Akira Kurosawa faithfully adapts Maxim Gorky’s classic proletariat play, keeping the original’s focus on the conflict between illusion and reality.
Akira Kurosawa, 1958
A general and a princess must dodge enemy clans while smuggling the royal treasure out of hostile territory with two bumbling, conniving peasants at their sides; it’s a spirited adventure that only Akira Kurosawa could create.
Akira Kurosawa, 1960
A young executive hunts down his father’s killer in director Akira Kurosawa’s scathing The Bad Sleep Well. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect.
Akira Kurosawa, 1961
To rid a terror-stricken village of corruption, wily masterless samurai Sanjuro (Toshiro Mifune) turns a range war between two evil clans to his own advantage in Akira Kurosawa’s visually stunning and darkly comic Yojimbo.
Akira Kurosawa, 1962
In Kurosawa’s sly companion piece to Yojimbo, the jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan’s evil influences, and in the process turns their image of a “proper” samurai on its ear.
Akira Kurosawa, 1963
Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in Akira Kurosawa’s highly influential High and Low, a compelling race-against-time thriller and a penetrating portrait of contemporary Japanese society.
Akira Kurosawa, 1965
A testament to the goodness of humankind, Akira Kurosawa’s Red Beard chronicles the tumultuous relationship between an arrogant young doctor and a compassionate clinic director (Toshiro Mifune, in his last role for Kurosawa).
Akira Kurosawa, 1970
By turns tragic and transcendent, Akira Kurosawa’s Dodes’ka-den follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Kurosawa’s gloriously shot first color film displays all of his hopes, fears, and artistic passion.
Akira Kurosawa, 1980
In his late, color masterpiece, Akira Kurosawa returns to the samurai film and to a primary theme of his career—the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and the pageantry of war, Kurosawa creates a meditation on the nature of power.
Akira Kurosawa, 1993
Kurosawa’s final film is a tribute to Hyakken Uchida (Tatsuo Matsmura), an educator and writer of enormously popular aphoristic stories. Based on Uchida’s writings, the film pieces a narrative together with distinct episodes—anecdotes and parties, ceremonies and celebrations.
- This deluxe, linen-bound collector’s set includes twenty-five films and an illustrated book featuring an introduction and notes on each of the films by Stephen Prince (The Warrior’s Camera: The Cinema of Akira Kurosawa) and a remembrance by Donald Richie (The Films of Akira Kurosawa).